In the high desert of the American southwest during the summer of 1982, the Finley family is awaiting the arrival of the baby boy they're due to adopt. Oliver, just seven, is eager for another playmate to join him and his sister in their idyll of swimming pools, climbing trees, and playing tag. But one hot afternoon, Dr. Finley dies suddenly and everything changes. Mrs. Finley, newly widowed, decides she cannot proceed with the adoption alone.
Twenty-one years later, Oliver believes he has finally found the brother his family was meant to adopt. Along the way, he also finds Miranda, an eccentric, charming photographer whose subjects are consenting strangers in their own homes after dark. Oliver and Miranda's love story collides with catastrophe when their worlds intersect in ways they could never have predicted.
A luminous, moving portrait of grief and atonement, romance and longing, Dear Strangers unearths the possibilities of hope and renewal in the unexpected bonds forged with family and strangers alike.
"The emotional vacuum left in the wake of Mullins's dedication to her ideas makes this a difficult book to get into." - Publishers Weekly
"Mullins has created a bittersweet, poignant, and curious tale about how strangers can impact our lives, and how love and forgiveness have the power to renew." - Booklist
"Strained and stagy." - Kirkus Reviews
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Meg Mullins was born and raised in New Mexico. She attended Barnard College and earned her MFA from Columbia University. Her short stories have appeared in numerous publications including The Sonoran Review, The Baltimore Review, The Iowa Review and TriQuarterly. The story that formed the basis of her first novel, The Rug Merchant, appeared in The Best American Short Stories 2002. She lives in New Mexico with her husband and their two children. Dear Strangers is her second novel.
From the author's website
They say that in the end truth will triumph, but it's a lie.
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